Arts
and crafts comprise a whole host of activities and hobbies
that are related to making things with one's own hands and
skill. These can be sub-divided into handicrafts or "traditional
crafts" (doing things the old way) and the rest. Some
crafts have been practised for centuries, while others are
modern inventions, or popularisations of crafts which were
originally practiced in a very small geographic area.
Additionally,
this term refers to the Arts and Crafts movement, which
was a social revolution veiled in a design movement of the
late 19th and early 20th century, whose proponents included
William Morris and Edwin Lutyens. They believed that medieval
craftsmen achieved a joy and fulfilment in the excellence
of their work, which they strove to emulate.
These
activities are called crafts because originally many of
them were professions under the guild system. Adolescents
were apprenticed to a master-craftsman, and they refined
their skills over a period of years in exchange for low
wages. By the time their training was complete, they were
well-equipped to set up in trade for themselves, earning
their living with the skill that could be traded directly
within the community, often for goods and services. The
Industrial Revolution and the increasing mechanisation of
production processes gradually reduced or eliminated many
of the roles professional craftspeople played, and today
'crafts' are most commonly seen as a form of hobby or art.
Most
crafts require a combination of skill, speed, and patience,
but they can also be learnt on a more basic level by virtually
anyone. Many community centres and schools run evening or
day classes and workshops offering to teach basic craft
skills in a short period of time. Many of these crafts become
extremely popular for brief periods of time (a few months,
or a few years), spreading rapidly among the crafting population
as everyone emulates the first examples.
The
term craft also refers to the products of artistic production
or creation that require a high degree of tacit knowledge,
are highly technical, require specialized equipment and/or
facilities to produce, involve manual labour or a blue-collar
work ethic, are accessible to the general public and are
constructed from materials with histories that exceed the
boundaries of western art history, such as ceramics, glass,
textiles, metal and wood. These products are produced within
a specific community of practice and while they differ from
the products produced within the communities of art and
design, the boundaries of such often overlap resulting in
hybrid objects. Additionally, as the interpretation and
validation of art is frequently a matter of context, an
audience may perceive crafted objects as art objects when
these objects are viewed within an art context, such as
in a museum or in a position of prominence in one's home.
The
term can also refer to the useful rural crafts of the agricultural
countryside. Craftsmanship = Plato's idea of specialization,
onto which the lower society has a specific job in society.